17,324 Royalty-Free Audio Tracks for "Audio Files Of Musical Chords"

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Miracle scale, derived from the secor (s = 116.72 cents), plus the difference between 10 secors and a perfect octave (q = 32.84 cents). MIDI pitch bend appears to match intervals. The Miracle scale is 0 1 2 3 4 5 6 7 8 9 0' s s s s s s s s s s+q The difference between s and q (r) is used in the File:Blackjack scale.mid.
Author: Hyacinth
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Blackjack scale, derived from the secor (s = 116.72 cents), the difference between 10 secors and a perfect octave (q = 32.84 cents), and the difference between that and a secor (r = s-q = 83.88 cents). MIDI pitch bend appears to match intervals. If the Miracle scale is 0 1 2 3 4 5 6 7 8 9 0' s s s s s s s s s s +q q +r q +r q +r q +r q +r q +r q +r q +r q +r q +r +q then the Blackjack scale is 0 >0 1 >1 2 >2 3 >3 4 >4 5 >5 6 >6 7 >7 8 >8 9 >9 <0 0' q r q r q r q r q r q r q r q r q r q r q
Author: Hyacinth
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Aeolian scale of C
Author: Maurizio Codogno, it:Utente:.mau.
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Simplest type of metric modulation in Bach. Slow introduction followed by Allegro, traditionally taken twice as fast. Eighth notes in the new tempo prepared by sixteenth notes in the old tempo ( = ).
Author: Hyacinth
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An OGG file that plays a C chromatic scale
Author: Cyndaquazy
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Modulation von Heinrich Schütz aus SWV 379
Author: Membeth
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Canción popular (Dominio publico): Romanza española. Interpretada por la Maestra Alisa Gladyseva.Popular song (public domain): Spanish Romance. Performed by the Master Alisa Gladyseva.
Author: Composer Unknown. Courtesy of Alias Guitar
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This is a whole tone scale beginning on middle-C, created by me using Lilypond and TiMidity.
Author: George A. M. at English Wikipedia
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Dominant thirteenth chord in four-part writing.
Author: User:Hyacinth
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Major triad on C. Created using Sibelius.
Author: Hyacinth (talk)
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Diagonal barre chord: major seventh chord on G. The first finger fingers both the second fret on the first four strings and the third fret on the sixth string.
Author: User:Hyacinth
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Example of flats in music on piano. An A, then A♭.  This image was created with Audacity.
Author: Mikemoral
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Shuffle pattern with staggered thirds played on piano.
Author: Created by Hyacinth (talk) 03:22, 16 March 2010 using Sibelius 5.
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One of four 'Link' chords, all-interval twelve-tone sets containing an all-trichord hexachord.
Author: Hyacinth
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The chord of E major played on an acoustic guitar. El acorde de E major toca en una guitarra acoustica.
Author: WBOSITG
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Audio con las notas musicales en piano C-D-E (Do, Re, Mi)
Author: Busca tu equilibrio... (Namaste) 21:27, 5 January 2011 (UTC)
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I created this file myself (using Sibelius, Windows Sound Recorder, and Audacity) to illustrate the concept of interval class.
Author: No machine-readable author provided. Psfitzgibbon~commonswiki assumed (based on copyright claims).
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Nederlands: demo kwarttonenquartertones
Author: Tjako van Schie
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Dominant seventh chord (V7) in C, G7.
Author: User:Hyacinth
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A chorale melody containing only steps, no skips: "Jesu, Leiden, Pein, un Tod".
Author: Hyacinth
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The chord of F major played on an acoustic guitar. El acorde de F major toca en una guitarra acoustica.
Author: WBOSITG
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The chord of D major played on an acoustic guitar. El acorde de D major toca en una guitarra acoustica.
Author: WBOSITG
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The chord of C major played on an acoustic guitar. El acorde de C major toca en una guitarra acoustica.
Author: WBOSITG
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The chord of G major played on an acoustic guitar. El acorde de G major toca en una guitarra acoustica.
Author: WBOSITG
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Common-tone diminished seventh chord (♯vio42, in D major: b♯o7) in Tchaikovsky's Nutcracker Suite, op. 71a, III, Valse des Fleurs, mm.1-4.
Author: Hyacinth
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Melodic half step in Bohlen-Pierce tuning (Equal Tempered)
Author: Sciurid
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Lambda mode diatonic scale in Bohlen-Pierce tuning (Equal Tempered)
Author: Sciurid
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VII-I cadence in C major. Created by Hyacinth (talk) 14:28, 10 March 2011 (UTC) using Sibelius 5. GFDL-self
Author: Hyacinth at en.wikipedia
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En I-ii7-V7-I-progression, sedan med V7 tritonussubstituerad
Author: Niklas R
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Baroque cadence parfaite ('authentic cadence' trill), above, and the same, drawn out, below.
Author: The original uploader was Hyacinth at English Wikipedia.
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Bebop dominant scale in C. Created by Hyacinth (talk) using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Just harmonic seventh chord on C. Created by Hyacinth (talk) 18:59, 10 November 2011 with Sibelius 5.
Author: Hyacinth at en.wikipedia
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Rule of the octave, major scale.
Author: Created by Hyacinth (talk) 20:22, 17 November 2010 using Sibelius 5.
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Mystic chord on C as the 1, 11, 7, 5, 13, and 9th harmonics (harmonics 8 through 14, without 12). 1 = C = 0 cents = unison 11 = F↑ = 551.32 cents = eleventh harmonic 7 = B♭ = 968.83 cents = harmonic seventh 5 = E = 386.31 cents = just major third 13 = A♭ = 840.53 cents = thirteenth harmonic 9 = D = 203.91 cents = large just whole tone
Author: Hyacinth
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Prometheus scale on C.
Author: Created by Hyacinth (talk) 22:35, 4 July 2010 using Sibelius.
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G run in G. Created by Hyacinth (talk) using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Modulations from C major to C sharp major in natural temperatures (just intonation) end at almost the same pitch although there should be a half-tone difference.
Author: Membeth
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Scale of the Mixolydian mode starting on C [ogg vorbis sound file]
Author: Aidan Hanrath
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A short extract from a rendition of a traditional song by the Butterfield Blues Band from the 1966 album East-West.
Author: Traditional
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Suite for Microtonal Piano microtonal tuning arranged in a chromatic scale. Created by Hyacinth (talk) 14:26, 17 January 2012 (UTC) using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Italiano: Scala di do frigio.
Author: .mau. at Italian Wikipedia
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interval major 3rd melodic
Author: Cranraspberry
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Italiano: scala di do dorica (midi).
Author: .mau. at Italian Wikipedia
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interval minor 6th melodic
Author: Cranraspberry
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